A NEW OPERA for 2025

JOHANN PEPUSCH: VENUS AND ADONIS

Libretto: Colley Cibber
Music: Johann Christoph Pepusch

In a new edition by Robert Rawson

Musical Director: Rudyard Cook
Producer: Michael Burden

New College Chapel
7 & 8 February 2025
8.30pm

Tickets available from Ticketsource 

Cast
Venus – Matilda Bates
Adonis – Sam Chichester-Clark
Mars – Rhys Williams

The Berlin-born Johann Christoph Pepusch spent much of his working life in in England arriving in 1704. He was an active musician, and is recorded as a violist, a theatre director, music theoretician, teacher, and organist. In 1726, he founded The Academy of Vocal Music with others; in around 1730–1, it was renamed The Academy of Ancient Music. He also founded the Madrigal Society, and in 1713 he was awarded the degree of Doctor of Music by the University of Oxford. He is best known today for his arrangement of the music for the 1728 Beggar’s Opera.

In his second decade in London, Pepusch wrote for Drury Lane a number of masques, small entertainments which included a setting of Barton Booth’s Death of Dido, staged by New Chamber in 2023. In 1715, he set Colley Cibber’s libretto Venus and Adonis, a take on the myth in which Venus, with whom Mars is already captivated, falls for Adonis (he is only interested in hunting). In a jealous rage, Mars arranges for Adonis’s death by boar during the hunt. In setting the text, Pepusch set the role of Adonis for his wife, Margarita de L’Epine en travesty.

Hilary 2025 Recitals

Fridays, 1.15pm
New College Ante-chapel

Welcome to the New Chamber Opera Studio Recital Series which is held on Fridays at 1.15 pm during term time in New College Ante-Chapel. The recital series has been running since 1994 and offers singers across the University and beyond the opportunity to perform a short programme in a relaxed atmosphere.

Week 4 – 14 February
No Recital
Week 5 – 21 February
Daniel Atkinson
Week 6 – 28 February
Theo Peters
Week 7 – 7 March
Edward Beswick
Week 8 – 14 March
Margaret Lingas

Week 4
No Recital
14 February

Week 5
Daniel Atkinson
21 February

Download biography
Download programme


Week 6
Theo Peters – Cancelled
28 February

Download biography
Download programme
Download translation

Week 7
Edward Beswick with Sam Mitchell
7 March

Download biography
Download programme

Week 8
Margaret Lingas
14 March

Download biography
Download programme

Summer Opera 2025

ANTONIO SALIERI: THE SCHOOL FOR JEALOUSY

The version used is by Bampton Opera

Musical Director: Steven Devine
Producer: Michael Burden

The Warden’s Garden

2 July (Preview), 5, 8, 9, 11 July 2025, 6.30pm

The Evening’s Events

6.00pm Drinks in the Cloisters
6.30pm Opera Act I
7.45pm Picnic Interval in the Cloisters (Bring your own picnic)
9.00pm; Acts II and III
10.30pm Curtain down

FAQs

Tickets

July 2: (Preview) New Chamber Opera – Tickets available from Ticketsource

July 5: New College Development Office – SOLD OUT

July 8: New Chamber Opera – Tickets available from Ticketsource
OXPIP – Tickets available from SheepApp

July 9: Friends of the Oxford Botanic Gardens – Tickets available from the Oxford Botanic Gardens and Arboretum

July 11: New College Development Office – contact [email protected] for ticket information

Cast

Blasio, a grain merchant
Carlotta, a chambermaid
Lumaca, servant to Blasio
Ernestina, married to Blasio
Countess Bandiera
Count Bandiera
Tenente, Blasio’s cousin and friend to the Count

Salieri’s opera of jealous derring-do tells the story of the merchant Blasio’s jealous love for his wife Ernestina; of the Count of Baniera’s love for Ernestina; of the Countess’s supposed love for the Lieutenant; and of Blasio’s love for Lisetta (who we never see in the opera). All are reconciled in the finale which takes place in the woods. The plot has been understood as a set of dangerous (but unrealised) entanglements, in which the aristocracy, the bourgeoisie, and the servant class come close to crossing established social norms.

First performed in Venice on 27 December 1778, the work was soon being seen in Vienna, and London, and it was much admired. Goethe’s well-known letter recounts: ‘Yesterday’s opera was charming, and well executed, it was the Scuola de Gelosi, Music by Salieri, opera favorite of the public, and the public is right. There is an astonishing richness, variety, and everything is treated with a very delicate taste. My heart was moved by every tune, especially the finales and quintets which are admirable’. And so they are!