Event 1
21 June 2018
Edward Boyle Auditorium, St Hilda’s College

2.30pm
William Christie, Rameau and
Staging Baroque Opera

2.30pm Lecture- James Halliday
3.30pm Tea
4.00pm Round Table discussion
James Halliday, with William Christie, Claire Holden, Jonathan Williams, Jonathan Patterson
5.30pm Drinks Reception

Event 2
22 June 2018
Mary Ogilvie Lecture Theatre, St Anne’s College

11.30am-12.30pm

William Christie in Conversation with
Edward Higginbottom

This event will take place in the programme of the Oxford Conducting Institute’s International Conducting Studies Conference 2018.

William Christie

William Christie, harpsichordist, conductor, musicologist, and teacher, is the inspiration behind one of the most exciting musical adventures of the last 30 years. A pioneer in the rediscovery of Baroque music, he has introduced the repertoire of 17th- and 18th-century France to a very wide audience across the globe. Born in Buffalo, and educated at Harvard and Yale, William Christie has lived in France since 1971. The turning point in his career came in 1979, when he founded Les Arts Florissants. Major public recognition came in 1987 with the production of Lully’s Atys at the Opéra Comique in Paris. From Charpentier to Rameau, through Couperin, Mondonville, William Christie is the uncontested master of tragédie-lyrique as well as opéra-ballet. But his affection for French music does not preclude him from exploring other European repertoires as Monteverdi, Rossi, Scarlatti, Landi, Purcell, Handel, Mozart, Haydn ou Bach.

Notable among his most recent operatic work are Campra’s Les Fêtes vénitiennes in 2015 at Paris’s Opéra Comique and then at the Brooklyn Academy of Music; Rameau, Maître à Danser created at Caen Theater in 2014; Theodora in 2016 at the Théâtre des Champs-Elysées and, in 2018, Handel’s Jephtha at the Opéra de Paris and Ariodante at the Wiener Staatsoper. As a guest conductor, William Christie often appears at opera festivals such as Glyndebourne (Giulio Cesare in 2018) or at opera houses such as the Metropolitan Opera of New York, the Zurich Opernhaus, or the Opéra National de Lyon. His extensive discography includes more than 100 recordings. His most recent recordings in “Les Arts Florissants” collection at Harmonia mundi: La Harpe Reine, Un jardin à l’italienne, Bien que l’amour and B Minor Mass (release in Spring 2018). Wishing to develop further his work as a teacher, in 2002 William Christie created, with Les Arts Florissants, a biennial Academy for young singers, Le Jardin des Voix, Now established at Thiré in Vendée, where he lives. Since 2007 he has been artist in residence at the Juilliard School in New York, where he gives master classes twice a year accompanied by the musicians of Les Arts Florissants. In 2012, he launched the festival Dans les Jardins de William Christie in his own gardens, where he welcomes every summer young musicians from the Juilliard School along with the musicians of Les Arts Florissants.

In November 2008, William Christie was elected to France’s Académie des Beaux-Arts, and gave his official inaugural speech under the dome of the Institut de France in January 2010. In 2018 he was named world ambassador for French culture by Le Bureau Export, in the presence of French culture minister Françoise Nyssen.

The University’s first
Humanitas Visiting Professor of Voice and Classical Music

Events

19 February 2018
T. S. Eliot Lecture Theatre
Andreas Scholl in conversation
‘Beyond Bach’
5.00pm, followed by a reception

20 February 2018
Masterclass, Holywell Music Room
11.00am-1.00pm; 2.00-5.00pm

21 February 2018
Masterclass, Holywell Music Room
11.00am-1.00pm; 2.00-5.00pm

22 February 2018
Masterclass, New College Chapel
11.00am-1.00pm
Masterclass Concert, New College Chapel
2.00-5.00pm

Admission is free, but please book via http://www.ticketsource.co.uk/newchamberopera

Born into a family of singers, Andreas Scholl, aged 13, was chosen from 20,000 choristers gathered in Rome from around the world to sing solo at Mass on 4 January 1981. Just four years later, Scholl was offered a place at the Schola Cantorum, an institution that normally accepts only post-graduate students, and now succeeded his own teacher there, Richard Levitt. His operatic roles include Bertarido in Handel’s Rodelinda at Glyndebourne in 1998 and at the Met in 2006, and the title role in Giulio Cesare at Oper Frankfurt. He has worked with many of the contemporary Baroque specialists including William Christie and Philippe Herreweghe.

Scholl has released a series of extraordinary solo recordings including: Wanderer – a disc of German Lied in partnership with pianist Tamar Halperin; O Solitude – an all-Purcell album with Accademia Bizantina which won the 2012 BBC Music Magazine award, Arias for Senesino, Heroes – a disc of arias by Handel, Mozart, Hasse and Gluck, Robert Dowland’s A Musicall Banquet, Arcadia – a collection of rare and unpublished cantatas by composers from Rome’s Arcadian Circle, Wayfaring Stranger – a selection of specially arranged English and American folksongs with Orpheus Chamber Orchestra, Bach cantatas with Kammerorchester Basel and Vivaldi Motets with the Australian Brandenburg Orchestra, all of which are released on Decca. His most recent recording, Small Gifts of Heaven, is a collaboration with Dorothee Oberlinger and released on the Sony label this season.

The University’s Visiting Professor of Opera, 2017-18

Events
Admission is free, but please book via http://www.ticketsource.co.uk/newchamberopera

26 October 2017
Stephen Langridge in conversation: “Why play opera at all?”
5:00-6:45pm; T. S. Eliot Lecture Theatre

27 & 30 October 2017
Making Opera

27 October 2017
Singers’ workshop
10.00-1.00pm; Long Room, New College
New creations
2.00-5.00pm: Long Room, New College

30 October 2017
Working with the New
10.00-1.00pm: Long Room, New College
Performing the New
2.00-5.00pm: Long Room, New College

Biography
Stephen Langridge is Artistic Director (Opera/Drama) of GöteborgsOperan, the Gothenburg Opera. Having studied Drama at Exeter University, Stephen then spent several years working as assistant director, mostly with the cutting edge company, Opera Factory, but also at Covent Garden, Opera North and Scottish Opera. His own practice developed through a mixture of small-scale tours of cut-down classics with Pimlico Opera, practical laboratories for composers and librettists, and devised music theatre projects, often in unconventional spaces with unconventional people. Underlying all his work is the belief that music theatre is a natural and dynamic form of human expression, to which everybody should have access, both as a creative participant and as an audience.

Stephen is well known for his education, development, and training work (projects in France, Spain, Germany, Finland, Holland, Sweden, Senegal, South Africa, and throughout the UK), and for his theatre work in unusual settings, including West Side Story (Bernstein) and Julius Caesar (Shakespeare) with large casts of prisoners in various British high security prisons, and Ngoma, a multi-racial music and theatre project in South African townships.

Although his directing work is now often on a larger scale – including productions at many of the world’s leading opera houses – Stephen continues to work off piste incorporating smaller scale experimental and developmental projects as an essential part of his working life.